merajnansabkaapna: July 2007

Tuesday, July 31, 2007

योर नामे स्टार्ट with

Does your name begin with: AU are not particularly romantic, but you are interested in action. You mean business. With you, what you see is what you get.You have no patience for flirting and can't be bothered with someone who is trying to be coy, cute, demure, and subtly enticing. You are an up-front person. You often don't get hints & you ever pass any. Brains turn you on. You must feel that your partner is! intellectually stimulating, otherwise you will find it difficult to sustain the relationship. You require loving, cuddling, wining, and dining to know that you're being appreciated. Your mate's physical attractiveness is important for you. You tend to be very Practical, & not very emotional Your choices are very good & can only lead to trouble. You are very self satisfied & egoistic.---------------------------------Does your name begin with: BYou give off vibes of lazy sensuality. You enjoy being romanced, wined, and dined. You are very happy to receive gifts as an expression of the affection of your lover. You want to be pampered and know how to pamper your mate. You are private in your expression of endearments, and particular when it comes to love. You will hold off until everything meets with your approval. You can control your appetite & feelings. You require new sensations and experiences. You are willing to experiment.---------------------------------Does your name begin with: CYou are a very social individual, and it is important to you to have a relationship. You require closeness and togetherness. You want the object of your affection to be socially acceptable and good-looking. You see your lover as a friend and companion. You are very sensual, Needing someone to appreciate and almost worship you. When this cannot be achieved, you have the ability to hold out on affection until you receive this.. You are an expert at controlling your desires and doing without.------------------------------ ---Does your name begin with: DOnce you get it into your head that you want someone, you move full Steam ahead in your suit. You do not give up your quest easily. You are nurturing and caring. If someone has a problem, this turns you on. You are highly passionate, loyal, and intense in your involvement's, sometimes possessive and jealous. You are very sharp & talented often with sense of humour. When people bother to look deep inside they cannot resist what they see. You are stimulated by the eccentric and unusual, having a free and open attitude. You get jealous of other people and lose your temper .---------------------------------Does your name begin with: EYour greatest need is to talk. If your date is not a good listener, you have trouble relating. A person must be intellectually stimulating or you are not interested sexually. You need a friend for a lover and a companion You hate disharmony and disruption, but you do enjoy a good argument once in a while-it seems to stir things up. You flirt a lot, for the challenge is more important. But once you give your heart away, you are uncompromisingly loyal. You will fall asleep with a good book. sometimes, in fact, you prefer a good book to a lover)---------------------------------Does your name begin with: FYou are idealistic and romantic, putting your lover on a pedestal. You look for the very best mate you can find. You are a flirt, yet once committed, you are very loyal. You are sensuous and privately passionate. Publicly, you can be showy, extravagant, and gallant. You are a born romantic. Dramatic love scenes are a favourite fantasy past time. You can be a very generous lover. ___________________________________________________________Does your name begin with: GYou are fastidious, seeking perfection within yourself and your lover. You respond to a lover who is yourintellectual equal or superior, and one who can enhance your status. You are sensuous and know how to reach the peak of stimulation, because you work at it meticulously. You can be extremely active-never tiring out. Your duties and responsibilities take precedence over everything else. You may have difficulty getting emotionally close to people. ______________________________ _____________________________Does your name begin with: HYou seek a mate who can enhance your zest for life ,fun & everything You seek for. You will be very generous to your lover once you have Attained a commitment. You are very affectionate & very strong. Your gifts are actually an investment in your partner. Before the commitment, though, you tend to be very careful with your every move and equally cautious in your involvement's often as you believe that you have to look out for yourself. You are a sensual and patient lover. You will hold off till everything meets your full approval. You are a perfectionist, hard to satisfy and strong in your beliefs. Not influential, you always stand your ground. People can always count on you to stand by them in a crisis. You are a dreamer with/ a passion for life.---------------------------------Does your name begin with: IYou have a great need to be loved, appreciated... even worshiped. You enjoy luxury, sensuality, and pleasures of the flesh. You like necking spend hours just touching feeling & exploring. You look for lovers who know what they are doing. You are not interested in an amateur, unless that amateur wants a tutor. You are fussy and exacting about having your desires satisfied. You are willing to experiment and try new modes of expression. You bore easily and thus require adventure and change. Your commitments don't last very long & you often tend to stray. Loyalty is not one of your strong points. You are more sensual than sexual, but you are sometimes downright lustful.---------------------------------Does your name begin with: JYou are blessed with a great deal of physical energy. When used for a good cause there is nothing to stop you, except maybe that they aren't always used for the good. (you could dance all night.) You respond to the thrill of the chase and the challenge of the mating game.You can carry on great romances in your head. At heart you are a roamer and need to set out on your own every so often. You will carry on long- distance relationships with ease. You are idealistic and need to believe in love. You have a need to be nurtured deep within.---------------------------------Does your name begin with: KYou are secretive, self-contained, and shy. You are very sexy, sensual, and passionate, but you do not let on to this. Only in intimate privacy will this part of your nature reveal itself. When it gets down to the nitty-gritty, you are an expert. You know all the little tricks of the trade, can play any role or any game, and take your love life very seriously. You don't fool around. You have the patience to wait for the right person to come along. You are very generous & giving, often selfless. You are kind-natured & sweet, which is found to be attractive by many. You are a good friend.---------------------------------Does your name begin with: LYou can be very romantic, attached to the glamour of love. Having a partner is of paramount importance to you. You are free in your expression of love and are willing to take chances, try new sexual experiences and partners, provided it's all in good taste. Brains turn you on. You must feel that your partner is intellectually stimulating, otherwise you will find it difficult to sustain the relationship. You require loving, cuddling, wining, and dining to know that you're being appreciated. "You require loving, cuddling, wining, and dining to know that you're being appreciated ".---------------------------------Does your name begin with: MYou may appear innocent, unassuming and shy; but we know that Appearances can lie. When it comes to sex, you are no novice but something of a skilled technician. You can easily go to extremes, though, running the gamut from insatiability to boredom with the whole idea of love. You can be highly critical of you mate, seeking perfection in both of you. It is not easy to find someone who can meet your standards. You have difficulty expressing emotions and drawing close to lovers. You are often selfish, thinking you are always right no matter what. You never give in. Winning is your prime desire- at any cost. You often forget friends and family and you live for the moment.---------------------------------Does your name begin with: NYou are emotional and intense. When involved in a relationship, you Throw your entire being into it. Nothing stops you; there are no holds barred. You are all-consuming and crave someone who is equally passionate and intense. You believe in total freedom. You are willing to try anything and everything. Your supply of energy is inexhaustible. You want to be pampered and know how to pamper your mate. You also enjoy mothering your mate. You often have the greatest love affairs all by yourself, in your head. You are very imaginative.---------------------------------Does your name begin with: OYou are very interested in fun activities yet secretive and shy about your desires. You can re-channel much of your energy into making money and/or seeking we. You can easily have extended periods of celibacy. You are a passionate, compassionate lover, requiring the same qualities From your mate. Love is serious business; thus you demand intensity, diversity and is willing to try anything or anyone. Sometimes your passions turn to possessiveness, which must be kept in check.---------------------------------Does your name begin with: PYou are very conscious of social proprieties. You wouldn't think of Doing anything that might harm your image or Reputation. Appearances count. Therefore, you require a good-looking partner. You also require an intelligent partner. Oddly enough, you may view your partner as your enemy...a good fight stimulates those vibes. You are relatively free of hang- ups.You are willing to experiment and try new ways of doing things.You are very social and sensual; you enjoy flirting and need a good deal of physical gratification.---------------------------------Does your name begin with: QYou require constant activity and stimulation. You have tremendous physical energy. It is not easy for a partner to keep up with you. You are an enthusiastic lover and tend to be attracted to people because of their ethnic groups. You need romance, hearts and flowers, and conversation to turn you on and keep you going.---------------------------------Does your name begin with: RYou are a no-nonsense, action-oriented individual. You need someone who can keep pace with you and who is your intellectual equal-the smarter the better. You are turned on more quickly by a great mind than by a great body. However, physical attractiveness is not very important to you. You have to be proved to be worthy for a partner. You have a need to prove yourself the best. You want feedback on your performance. You are open, stimulating & romantic.---------------------------------Does your name begin with: SFor you, it is pleasure before business. You can be romantically idealistic to a fault and is capable of much sensuality. But you never loose control of your emotions. Once you make the commitment you stick like glue. You could get jealous and possessive. You tend to be very selfish often regarding yourself as the only human being on the planet.. You like being the centre of attention. You are very caring sensitive, private & sometimes very passive. Turned on by soft lights, romantic thoughts. When it gets down to the nitty-gritty, you are an expert. You know all the little tricks of the trade, can play any role, or any game, and take your love life very seriously. You don't fool around. You have the patience to wait for the rightperson to come along. You are very generous & giving, often selfless. You are kind nature & sweet which is found to be attractive by many. You are a good friend.---------------------------------Does your name begin with: TYou are very sensitive, private & sometimes very passive. You like someone who takes the lead. You get turned on by music, soft lights & romantic thoughts. You fantasize & tend to fall in & out of love soon. When in love you are romantic, idealistic, mushy & extremely. You enjoy having your senses & your feelings stimulated, titillated & teased. You are a great flirt. You can make your relationships fit your dreams, all in your own head. Once you put your mind to something you manage to stand by it and see your dreams through. You aren't very good at expressing your feelings. You like things your own way. You do not like change, you like to hold on to things. This may not always be good because if given an opportunity things may develop into great things. You work your way to the top. Attention must be given to what others say because even though you don't want to hear it their advice may turn out to save your life. !---------------------------------Does your name begin with: UYou are enthusiastic & at your happiest when in love. When not in love you're in love with love and always looking for someone to adore. You see romance as challenge. You are a roamer & needs adventure, excitement freedom. You enjoy giving gifts & looking good. You are willing to put others feelings above yours.---------------------------------Does your name begin with: VYou are individualistic & you need freedom, space & excitement. You wait till you know someone well before committing yourself. Knowing someone means psyching her/him out. You feel a need to get into his/her head to see what makes him tick. You are attracted to eccentric types. You believe that age is no barrier. You are good at responding to danger, fear & suspense.---------------------------------Does your name begin with: WYou are very proud, determined & refuses to take no for an answer when it come to love. Your ego is at stake all the time. You are romantic, idealistic, often in love with love itself, not seeing your partner for who she or he really is. You feel deeply about love & tends to throw all of your self into a relationship. Nothing is too good for your lover. You like playing love games.---------------------------------Does your name begin with: XYou need constant stimulation because you get bored quickly. You can handle more than 1 relationship at a time with ease. You can't shut off your mind. You can do 2 things at once. You are very talented.---------------------------------Does your name begin with: YYou are sensual & very independent. If you can't have it your way, you will forget the whole thing. You want to control your relationships which doesn't work out too well. You respond to physical stimulation. However if you can make money you will give up the pleasures of the flesh for the moment. You have a need to prove yourself the best. You want feedback on your performance. You are open, stimulating & romantic.---------------------------------Does your name begin with: ZYou are very romantic but show feels that to love means to suffer. You wind up serving your mate & attracting people who have unusual trouble. You see yourself as a lover's saviour.

piyushdadriwala
www.piyushdadriwalamaths.co.in

साइकिल ऑफ़ life

Giving is living, living is learning, learning is knowing, knowing is growing, growing is giving, and giving is living. That is the cycle of लाइफ।
piyushdadriwala

लाइफ.......

For a long time it had seemed to me that life was about to begin -- real life। But there was always some obstacle in the way, something to be got through first, some unfinished business, time still to be served, a debt to be paid. Then life would begin. At last it dawned on me that these obstacles were my life.Life always brings problems. We really can't live without them.And so it helps to shift our perspective. We can stop trying to avoid the problems. We can stop feeling victimized by what's happening. Instead, we can consciously work with the challenge of the moment to learn more about ourselves and the world. When we make this shift in attitude, we discover ourselves to be strong and powerful.Every lesson is a widening and deepening of consciousness. It is a stretching of the mind beyond its conceptual limits and a stretching of the heart beyond its emotional boundaries. It is a bringing of unconscious material into consciousness, a healing of past wounds, and a discovery of new faith and trust.
piyushdadriwala

Monday, July 30, 2007

चेक वहत यू are

January 01 - 09 ~ DogJanuary 10 - 24 ~ MouseJanuary 25 - 31 ~ Lion February 01 - 05 ~ CatFebruary 06 - 14 ~ DoveFebruary 15 - 21 ~ TurtleFebruary 22 - 28 ~ Panther March 01 - 12 ~ MonkeyMarch 13 - 15 ~ LionMarch 16 - 23 ~ MouseMarch 24 - 31 ~ CatApril 01 - 03 ~ DogApril 04 - 14 ~ PantherApril 15 - 26 ~ MouseApril 27 - 30 ~ Turtle May 01 - 13 ~ MonkeyMay 14 - 21 ~ DoveMay 22 - 31 ~ Lion June 01 - 03 ~ MouseJune 04 - 14 ~ TurtleJune 15 - 20 ~ DogJune 21 - 24 ~ MonkeyJune 25 - 30 ~ CatJuly 01 - 09 ~ MouseJuly 10 - 15 ~ DogJuly 16 - 26 ~ DoveJuly 27 - 31 ~ Cat August 01 - 15 ~ MonkeyAugust 16 - 25 ~ MouseAugust 26 - 31 ~ Turtle September 01 - 14 ~ DoveSeptember 15 - 27 ~ CatSeptember 28 - 30 ~ DogOctober 01 - 15 ~ MonkeyOctober 16 - 27 ~ TurtleOctober 28 - 31 ~ Panther November 01 - 16 ~ LionNovember 17 - 30 ~ Cat December 01 - 16 ~ DogDecember 17 - 25 ~ MonkeyDecember 26 - 31 ~ DoveIf you are a Dog : A very loyal and sweet person. Your loyalty can never be doubted. You are quite honest and sincere when it comes to your attitude towards working. You are a very simple person, indeed. Absolutely hassle free, humble and down-to-earth! ! That explains the reason why your friends cling on to you! You have a good taste for clothes. If your wardrobe is not updated with what is trendy, you sure are depressed. Popular and easy-going. You have a little group of dignified friends, all of them being quality-personified .If you are a Mouse : Always up to some sort of a mischief! The mischievous gleam in your eyes is what makes you so cute and attractive to everyone. You are an extremely fun-to-be-with kind of person. No wonder people seek for your company and look forward to include you for all get-together' s. However, you are sensitive which is a drawback. People need to select their words while talking to you. If someone tries to fiddle around and play with words while dealing with you, it is enough to invite your wrath. God bless the person then!If you are a Lion: Quite contradictory to your name, you are a peace loving person. You best try to avoid a situation wherein you are required to fight. An outdoor person, you dislike sitting at one place for a long duration. You are a born leader, and have it in you how to tactfully derive work from people. You love being loved, and when you receive your share of limelight from someone, you are all theirs!!!! Well, well... hence some people could even take an advantage, flatter you to the maximum and get their work done. So be careful.....If you are a Cat : An extremely lovable, adorable person, sometimes shy, with a passion for quick wit. At times, you prefer quietness. You love exploring various things and going into depth of each thing. Under normal circumstances you're cool but when given a reason to, you are like a volcano waiting to erupt. You're a fashion bird. People look forward to you as an icon associated with fashion. Basically, you mingle along freely but don't like talking much to strangers. People feel very easy in your company. You observe care in choosing your friends.If you are a Turtle : You are near to perfect and nice at heart. The examples of your kindness are always circulated in groups of people. You, too, love peace. You wouldn't like to retaliate even to a person who is in the wrong. You are loved due to this. You do not wish to talk behind one's back. People love the way you always treat them. You can give, give and give love, and the best part is that you do not expect it back in return. You are generous enough. Seeing things in a practical light is what remains the best trait of you guys.If you are a Dove : You symbolize a very happy-go-lucky approach in life. Whatever the surroundings may be, grim or cheerful, you remain unaffected. In fact, you spread cheer wherever you go. You are the leader of your group of friends and good at consoling people in their times of need. You dislike hypocrisy and tend to shirk away from hypocrites. They can never be in your good books, no matter what. You are very methodical and organized in your work. No amount of mess, hence, can ever encompass you. Beware, it is easy for you to fall in love....If you are a Panther : You are mysterious. You are someone who can handle pressure with ease, and can handle any atmosphere without going berserk. You can be mean at times, and love to gossip with your selected group. Very prim and proper. You like all situations and things to be in the way you desire, which, sometimes is not possible. As a result, you may lose out in some relationships. But otherwise, you love to help people out from difficult and tight spots when they really need you.If you are a Monkey : Very impatient and hyper!!! You want things to be done as quick as possible. At heart, you are quite simple and love if you are the center of attraction. That way, you people are unique. You would like to keep yourself safe from all the angles. Shall your name be dragged or featured in any sort of a controversy, you then go all panicky. Therefore, you take your precautions from the very beginning. When you foresee anything wrong, your sixth sense is what saves you from falling in traps. Quite a money minded bunch you people are!!piyushdadriwala
www.piyushdadriwalamaths.co.in

ई वांट peace

"'I want peace', you say. Simply remove the 'I' and remove the 'Want' and you will have 'peace'. Peace is not something to search for. It is 'I', our egos, and 'want', our desires, That make peace elusive."
piyushdadriwala
www.piyushdadriwalamaths.co.in

यू कैन देवेलोप सुच्सस्स्स फ्रॉम any failure

Failure is one of the surest stepping stones to success.No element can do as much for you as failure can, if you're willing to study it and make capital out of it.View every problem you encounter as an opportunity.There is always a good side to every situation.Stay optimistic and try to see an opportunity in your problems, not pessimistic and see problems in every opportunity.The optimist sees the doughnut, the pessimist sees the hole.When it is dark enough you can see the stars.
piyushdadriwala
www.piyushdadriwalamaths.co.in

सुच्सस्स विथ इन you

The golden opportunity you are seeking lies within you।It's not in your environment.It's not in luck or chance, or in the help of others.It's all in you.There are opportunities all around you.If the door of opportunity appears closed, you must knock on it and keep knocking on it until it opens.You must become an opener of doors.You can develop your opportunities by applying persistence and tenacity to your possibilities.Success doesn't come to you.You must go to success.
पियुश्दाद्रिवाला
व्व्व.पियुश्दाद्रिवालामाथ्स.को.in

सी बाबा NAMAVALI

1. OM sri Sai Nathaaya namaha2. OM Sri Sai Lakshmi naarayanaya namaha3. OM Sri Sai Krishnaraamashiva maruthyaadhi roopaaya namaha4. OM Sri Sai Seshasai ne namaha5. OM Sri Sai Godhavarithata shirdhivasi ne namaha6. OM Sri Sai Bhakta hrudaalayaaya namaha7. OM Sri Sai Sarva hrunnilayaaya namaha8. OM Sri Sai Bhoota vaasaya namaha9. OM Sri Sai Bhootha bhavishyadbhaava varnithaaya namaha10. OM Sri Sai Kaalaa thiithaaya namaha11. OM Sri Sai Kaalaaya namaha12. OM Sri Sai Kaala kaalaaya namaha13. OM Sri Sai Kaaladarpa damanaaya namaha14. OM Sri Sai Mrutyunjayaaya namaha15. OM Sri Sai Amarthyaaya namaha16. OM Sri Sai Marthyaa bhayapradhaaya namaha17. OM Sri Sai Jiivadhaaraaya namaha18. OM Sri Sai Sarvadhaaraaya namaha19. OM Sri Sai Bhaktaavana samarthaaya namaha20. OM Sri Sai Bhaktavana prathikjnaaya namaha21. OM Sri Sai Anna vastra daaya namaha22. OM Sri Sai Aroogya ksheemadaaya namaha23. OM Sri Sai Dhana maangalyapradaaya namaha24. OM Sri Sai Buddhi siddhi pradaaya namaha25. OM Sri Sai Putra mitra kalathra bandhudaaya namaha26. OM Sri Sai Yogaksheema vahaaya namaha27. OM Sri Sai Aapadbhaandhavaaya namaha28. OM Sri Sai Maargabandhavee namaha29. OM Sri Sai Bhukti mukti swargaapavargadaaya namaha30. OM Sri Sai Priyaaya namaha31. OM Sri Sai Preeti vardhanaaya namaha32. OM Sri Sai Antharyaminee namaha33. OM Sri Sai Sacchitatmanee namaha34. OM Sri Sai Nityanandaaya namaha35. OM Sri Sai Parama sukhadaaya namaha36. OM Sri Sai Parameeshwaraaya namaha37. OM Sri Sai Parabrahmanee namaha38. OM Sri Sai Paramaatmanee namaha39. OM Sri Sai Gnaana Swaroopinee namaha40. OM Sri Sai Jagath pithre namaha41. OM Sri Sai Bhaktaanaam maathru daathru pithaamahaaya namaha42. OM Sri Sai Bhaktaabhaya pradhaaya namaha43. OM Sri Sai Bhakta para dheenaya namaha44. OM Sri Sai Bhaktaanugraha karaaya namaha45. OM Sri Sai Sharaanagatha vatsalaaya namaha46. OM Sri Sai Bhakti shakti pradaaya namaha47. OM Sri Sai Gnana yraaghya prdaaya namaha48. OM Sri Sai Preema pradaaya namaha49. OM Sri Sai Samskhaya hrudaya dowurbhalya paapa karma vaasanaa kshayakaraaya namaha50. OM Sri Sai Hrudayagranthi bheedakaaya namaha51. OM Sri Sai Karma dhvamsiinee namaha52. OM Sri Sai Suddasathva sthithaaya namaha53. OM Sri Sai Gunaatheetha gunaathmanee namaha54. OM Sri Sai Anantha kalyaana gunaaya namaha55. OM Sri Sai Amitha parakramaaya namaha56. OM Sri Sai Jayinee namaha57. OM Sri Sai Durdhaarshaa kshobyaaya namaha58. OM Sri Sai Aparaajitaya namaha59. OM Sri Sai Trilookeeshu avighaatha gatayee namaha60. OM Sri Sai Ashakya rahitaaya namaha61. OM Sri Sai Sarva shakti murthayee namaha62. OM Sri Sai Suroopa sundaraaya namaha63. OM Sri Sai Suloochanaaya namaha64. OM Sri Sai Bahuroopa vishwamuurthayee namaha65. OM Sri Sai Aroopaavyaktaaya namaha66. OM Sri Sai Aachintyaaya namaha67. OM Sri Sai Sookshmaaya namaha68. OM Sri Sai Sarvaantharyaminee namaha69. OM Sri Sai Manoovaaga theethaya namaha70. OM Sri Sai Preemamoorthayee namaha71. OM Sri Sai Sulabha durlabhaaya namaha72. OM Sri Sai Asahaaya sahaayaaya namaha73. OM Sri Sai Anaatha naatha deenabaandhavee namaha74. OM Sri Sai Sarvabhaara bhrutee namaha75. OM Sri Sai Akarmaaneeka karma sukarminee namaha76. OM Sri Sai Punyasravana keerthanaaya namaha77. OM Sri Sai Theerthaaya namaha78. OM Sri Sai Vasudeevaaya namaha79. OM Sri Sai Sataamgathayee namaha80. OM Sri Sai Satyanaaraayanaaya namaha81. OM Sri Sai Lokanaathaaya namaha82. OM Sri Sai Paavananaaghaaya namaha83. OM Sri Sai Amruthamsavee namaha84. OM Sri Sai Bhaaskara Prabhaaya namaha85. OM Sri Sai Bramhacharya tapascharyaadi suvrathaaya namaha86. OM Sri Sai Satyadharma paraayanaaya namaha87. OM Sri Sai Siddheshvaraaya namaha88. OM Sri Sai Siddha sankalpaaya namaha89.OM Sri Sai Yogeshwaraaya namaha90. OM Sri Sai Bhagwatee namaha91. OM Sri Sai Bhakta vatsalaaya namaha92. OM Sri Sai Sathpurushaaya namaha93. OM Sri Sai Purushootthamaaya namaha94. OM Sri Sai Satyatatva boodhakaaya namaha95. OM Sri Sai Kaamaadi shadyri dwamsinee namaha96. OM Sri Sai Abheedaanandaama bhava pradhaaya namaha97. OM Sri Sai Samasarvamatha sammataaya namaha98. OM Sri Sai Sri Dakshinaa moorthiyee namaha99. OM Sri Sai Sri Venkateesha ramanaaya namaha100. OM Sri Sai Adbhuthaanantha charyaaya namaha101. OM Sri Sai Prapannarthi haraaya namaha102. OM Sri Sai Samsaara sarva dukha kshayakaraaya namaha103. OM Sri Sai Sarva vitsarvato mukhaaya namaha104. OM Sri Sai Sarvaantharbhahi stitaaya namaha105. OM Sri Sai Sarvamangala karaaya namaha106. OM Sri Sai Sarvaabhiishta pradhaaya namaha107. OM Sri Sai Samaras sanmaarga sthaapanaaya namaha108. OM Sri Sai samartha sadguru Sri Sai nathaaya namaha"SRI SATCHITANAND SADGURU SAINATH MAHARAJ KI JAI"

THOUGHTS

Aum SairamA Brahmin, when rebuked by his wife to earn something for the livelihood, finally decided to go to the city and try his luck. Since there was a fight between the husband and wife, the brahmin, left immediately, in the night and reached the river.As he knew, the boat man will come in the morning, he waited at the bank of the river, for the sun to rise.In the dark, he touched a heap of pebbles. To kill time, he took a pebble and threw it into the river, enjoyed the splash, and picked up another pebble. And whole night he threw pebbles into the river and killed his time, waiting for the boatman.The sun rose, and the golden rays touched the again-virgin earth. The Brahmin was about the throw the last pebble into the river, when the Sun spread its light as if Mother Gayatri would have removed the darkness of mind and filled it with the bright light of Knowledge and wisdom.He suddenly saw, the pebbles, which he was throwing into the river, were actually priceless diamonds. He saw the last diamond in his hand and wept," Oh ! foolish me! I threw all the diamonds in the river, i could have been more patient, at least could have waited for the Sunrise.We are all like that Brahmin, wasting the diamonds in the river in the darkness. The moments, we are wasting in killing time, are precious moments of our life,a breath of which could change our life and bring us into richness of life, but ignorantly we are wasting them.At least, we can grasp the last diamond !! And this is the moment!!Allah Malik

फाइव इंस्पिरेशन THOUGHTS

(a) Whatever problem may come, if we remain calm, wewill find a solution.(b) The power, that is used for service to others,stays for long time.(c) Beware of the demon 'Jealousy', which has thepotential to eat away your peace.(d) Honesty is like a Banyan tree, which grows slowlybut stays forever.(e) The greatest virtue of the talented is politeness

piyushdadriwala
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सी baba

Aum SairamEach one of us goes through a personal crisis at some point in our lives – physical, emotional or mental. Our strength then comes from Prayer. Prayer is a way of talking with God, a way of walking with God and an act of living in God. Prayer moves the hand that moves the universe.There are a several instances to prove that Sri Sai Baba has been literally physically appearing before His devotees, even decades after His passing out of the physical body. Sri Sai Baba is constantly and simultaneously proving that He Is alive in spirit and responds to our sincere prayers. Sri Sai Baba assured His devotees thus: "I am at Shirdi and everywhere. Whatever you do, wherever you may be, ever bear this in mind, that I am always aware of everything".Allah Malik

concentration

The first law of success is concentration.Bend all of your energies to one point, and go directly to that point, looking neither to the right nor the left.Concentration is the magic key that opens the door to accomplishment.Success is the result of well directed energy.You can, in time, become what you earnestly desire to be, if you set your face in the direction of the things you want and bring all your powers to bear towards its attainment.When your physical and mental resources are focused, your power to solve problems multiplies tremendously.To do two things at once is to do neither.Nothing can add more power to your life as much as concentrating all your energies on a limited set of targets.The sun's rays do not burn until brought to a focus.piyushdadriwala
www.piyushdadriwalamaths.co.in

स्वामी vivekanand

Vivekananda at World Parliament of Religion: PAPER ON HINDUISM Chicago, 19th September 1893
Three religions now stand in the world which have come down to us from time prehistoric - Hinduism, Zoroastrianism, and Judaism. They have all received tremendous shocks, and all of them prove by their survival their internal strength. But while Judaism failed to absorb Christianity and was driven out of its place of birth by its all-conquering daughter, and a handful of Parsees is all that remains to tell the tale of their grand religion, sect after sect arose in India and seemed to shake the religion of the Vedas to its very foundations, but like the waters of the sea-shore in a tremendous earthquake it receded only for a while, only to return in an all-absorbing Hood, a thousand times more vigorous, and when the tumult of the rush was over, these sects were all sucked in, absorbed and assimilated into the immense body of the mother faith. From the high spiritual flights of the Vedanta philosophy, of which the latest discoveries of science seem like echoes, to the low ideas of idolatry with its multifarious mythology, the agnosticism of the Buddhists and the atheism of the Jains, each and all have a place in the Hindu’s religion.

piyushdadriwala
www.piyushdadriwalamaths.co.in

अ चातिंग विथ GOD

A CHATTING WITH GOD

ME: GOD ,WHERE ARE YOU ? I WANT TO CHAT WITH YOU
GOD: WHO ARE YOU,? YOU HAVE TIME TO CHAT WITH ME
ME:GOD I AM HUMAN BEING,NOW- A-DAYS ,YOU RIGHT,WE HAVE NO TIME,BUT TODAY I AM TOO SAD SO ,WANT TO CHAT WITH YOU.
GOD: OK,BUT I HAVE NO TIME FOR YOU.
ME: GOD I LOVE YOU LOT,DAILY PRAY ,PL GIVE ME ......
GOD: O.K.
ME:LIFE IS SO HECTIC,IT IS RUSH HOURS ALL THE TIME.
GOD: SURE I KNOW,IT IS BECAUSE OF YOU.
ME: I UNDERSTAND
GOD: YOU ARE SO KIND ,ASK AND I ANSWERED YOUR QUESTIONS.
ME:WHY LIFE BECOME SO COMPLICTED?
GOD: STOP ANALYZING LIFE,JUST LIVE IT.ANALSIS WHAT MAKES IT COMPLECATED.(LIFE----LIVE IT with FULL ENJOY)
ME:WHY ARE WE THEN CONSTANTLY UNHAPPY?
GOD:YOUR TODAY IS THE TOMORROW THAT WORRIED ABOUT YESTERDAY.YOU ARE WORRYING BECOZ UR ANALYSING.WORRING HAS BECOME YOUR HABIT THAT,S WHY YOU ARE WORRY.
ME:THERE IS SO MUCH PAIN DUE TO UNCERTAINITY.
GOD:PAIN IS SURE IN GAIN,SUFFERING IS OPTIONAL.
ME:IF SUFFERING IS OPTIONAL,WHY DO GOOD PEOPLE ALWAYS SUFFER?
GOD:DIAMOND CANNOT BE POLISHED WITH OUT FRICTION,GOLD CAN NOT PURIFIED WITHOUT FIRE,GOOD PEOPLE GO THROUGH TRIALS ,BUT DO NOT SUFFER WITH THAT EXPERIENCE THIER LIFE BECOME BETTER ,NOT BITTER.
ME:WHAT IS SUCCESS?
GOD:SUCCESS IS A MEASURE AS DECIDED BY OTHERS,SATISFACTION IS A MEASURE AS DECIDED BY YOU,KNOWING THE ROAD AHEAD IS MORE SATISFYING THAN KNOWING YOU RODE AHEAD.
ME: HW CN I GT TH BST OUT OF LIFE?
GOD:FACES YOUR PAST WITHOUT REGRET HANDLE YOUR PRESENT WITH CONFIDENCE,PREPARE FOR THE FUTURE WITH FEAR.
ME: THANK YOU GOD,YOU GAVE ME TIME,NICE MEETING,PHIR MILENGE
GOD: OK ,MY DEVOTTEE,LOVE YOU LOT,KEEP IN TOUCH WITH ME.

PIYUSHDADRIWALA
www.piyushdadriwalamaths.co.in

हव दय्स गोट थेइर names

HOW DAYS GOT THIER NAMES

SUNDAY SUN
MONDAY MOON
TUESDAY TIU,NORSE GOD OF WAR
WEDNESDAY WODEN,ANGLO-SAXON CHIEF OF GODS
THURSDAY THOR,NORSE GOD OF THUNDER
FRIDAY FRIGG,NORSE GODDESS
SATURDAY SATURN,ROMAN GOD OF HARVEST

PIYUSHDADRIWALA
www.piyushdadriwalamaths.co.in

अब्च्द..... cricket

ABC........ OF CRICKET
A APPEAL
B BALL,BOUNCER,BOWLER
C CENTURY,CHINAMAN,CHUKER,
D DEAD BALL,DRIVE
E EXTRA
F FLICKER
G GOOGLY,GLANCE
H HOOK
I INNING,INSWING
J JAFFA
K KITBAG
L LBW,LEGBYE,LEGBRAKE
M MISFIELD
N NONSTICKER,NIGHTWATCHMAN,NOBALL,NOTOUT
O OFFBREAK,OVER
P PULL,PITCH,
Q QUICK SINGLE
R RUN,REVERSE SWEEP
S SILLY POINT,SLOG,SPINNER SWEAP,SQUARE CUT
T TEST
U UMPIRE
V .............
W WIDE BALL
X XXX (.......)
Y YORKER
Z ZOOTER

PIYUSHDADRIWALA
www.piyushdadriwalamaths.co.in

सेवेन दंगेरौस habits

THE SEVEN DANGEROUS HABITS7 ACTIONS to be avoided;* Don't smoke- Experiment from experts proves that smoking a cigarette after meal is comparable to smoking 10 cigarettes (chances of cancer is higher).* Don't eat fruits immediately after meals - Immediately eating fruits after meals will cause stomach to be bloated with air. Therefore take fruit 1-2 hr after meal or 1hr before meal.* Don't drink tea immediately after meals - Because tea leaves contain a high content of acid. This substance will cause the Protein content in the food we consume to be hardened thus difficult to digest.* Don't loosen your belt immediately after meals- Loosening the belt after a meal will easily cause the intestine to be twisted & blocked.* Don't bathe immediately after meals - Bathing will cause the increase of blood flow to the hands, legs & body thus the amount of blood around the stomach will therefore decrease. This will weaken the digestive system in our stomach.* Don't walk about immediately after meals - People always say that after a meal walk a hundred steps and you will live till 99. In actual fact this is not true. Walking will cause the digestive system to be unable to absorb the nutrition from the food we intake.* Don't sleep immediately after meals- The food we intake will not be able to digest properly. Thus will lead to gastric & infection in our intestine.
piyushdadriwala
www.piyushdadriwalamaths.co.in
www.piyush-g.741.com

होत वाटर ऎंड हार्ट attack

This is a very good article. Not only about the warm water after yourmeal, but about heart attacks. This makes sense.. theChinese and Japanese drink hot tea with their meals...not coldwater...maybe it is time we adopt their drinking habit while eating!!!Nothing to lose, everything to gain... For those who like to drink cold water, this article is applicable toyou. It is nice to have a cup of cold drink after a meal. However, the coldwater will solidify the oily stuff that you have just consumed. It willslow down the digestion. Once this "sludge" reacts with the acid, it willbreak down and be absorbed by the intestine faster than the solid food. Itwill line the intestine. Very soon, this will turn into fats and lead to cancer. It is best todrink hot soup or warm water after a m! meal. A serious note about heart attacks: You should know that not every heartattack symptom is going to be the left arm hurting. Be aware of intensepain in the jaw line. You may never have the first chest pain during the course of a heartattack. Nausea and intense sweating are also common symptoms. 60% ofpeople who have a heart attack while they are asleep do not wake up.Pain in the jaw can wake you from a sound sleep. Let's be careful and beaware. The more we know, the better chance we could survive... A cardiologist says if everyone who gets this mail sends it to 10 people,you can be sure that we'll save at least one life. Read this...It couldsave your life!!piyushdadriwala

सी baba

Aum SairamMay This Thursday [Baba's Day] Bring You Strength, Good luck, Happiness, Success And JoyKashton ki kali chahe dukhdaai hai, Jeevan mein ghor uudaasi hai!Sankat ko talo Sai dua hai, Tere siva koyi shahahi hai!Mere maan tera murth samahi hai, Har phal har kshan mahima gayi hai!Ghar mere kaston ki andhi aayi hai, Apna koyn mera sudh bulayi hai!Tum Bolanath ho daya nidin ho, Tum Hanuman ho tum maha balwan ho!Tum hi Ram ho tum hi Shyam ho, Sare gath ma tum sabh se mahan ho!Tum Mahakali tumhi Mahasharda, Kartha hu pradan bhavsa tar da!Tum hi Mohamad ho tum hi Navaz ho, Nanak ki vani ma esak sath ho!Tum hi Digambar tum hi Kabir ho, Ho Buddha tumhi aur mahavir ho!Sara jagath ka tumhi adhar ho, Nikar bhi aur sakar ho!Karthaa hu vandan prem vishwas se, Suno sai allah ka vastha!Aduram ya meri nahi muskan hai, Ghar mera bhanane laga shamshan hai!Rahm nazar karo ujada veran sa, Jindagi savarana ek vardan sa!Pampo ki dhoop se tan lagga haarna, Apka ya das lagaa purana!Apne sadha hi laaj bachayi hai, Deir na ho jaaye maan me shanka hai!Deera deera deeraj hi kaatha hai, Manma bas vishwas hi rotha hai!Mera kalpana sakaar karo do, Suni jindagi ma rang bhardho!Dotha dotha pappoka bhar jindagi sa, Me harjaya jindagi sa!Nath avagunaksha abtho bhisaro, Kashtoki laharo sa aake ubharo!Kartha hu paap me papoki khan hu, Ghyan tum ghyaneshewar, me agyan hu!Kartha hu pag-pag par pappoki bhul ma, Thar do jeevan ya charnoki dul sa!Tumne Ujada huva ghar basaya, Pani se Deepak bhi tumina jalaya! Kasht pap shrap utaro, Prem daya drusti se niharo!Let us all on this beautiful Thursday spend a moment on seeking Sri Sadguru Sainath's treasures that lead us to our own subtle nature, the material that is all pervading.Allah Malik

सहरुख khan

Shah Rukh Khan BiographyThe year is 1991. First-time director Hema Malini looks anxious on the sets of her directorial debut, 'Dil Aashna Hai'. The cause of her anxiety triggers laughter as it is discovered that the lady, despite employing all haircut methods on her boyish-looking hero Shahrukh Khan, remains unsuccessful with his unruly mop. Hema finally lets go of the boy and his effervescent hair without a crop.The film bungled at the box office. Was it due to Khan's boisterous hair?Today, in retrospect, it looks like it was his disheveled hair, big nose, average height and average looks that broke conventions to give birth to a new-age star.SRK's USP were his energy, fizz and 'dreamz unlimited'. The boy just refuses to sit idle. Says Juhi co-star and friend: ''Shahrukh went on even when others stopped due to exhaustion. He breathes films. He is down-to-earth, without an attitude. He is very friendly and has a funny sense of humor''.When Colonel Kapoor signed SRK for his serial on faujis, he knew the potential of the bubbly youth but the amazing career he would charter wasn't probably envisaged.After Fauji, a couple of more television serials and Shahrukh joined the big league and gave a smashing hit Deewana with the late Divya Bharati. As compared to the superstars of yesteryears, Shahrukh's ride up the ladder was tougher. He had to face the rage of explosion of information and technology while working towards super-stardom. He was required to possess charisma compelling enough to make people rise above the zillion modes of entertainment and be his audience. Shahrukh managed to captivate and the feat, by no means, was easy.From a boy-next-door to a saleable hero, from a hero to a star, a superstar and finally a phenomenon, though there is nothing concrete to show where his prowess lay. He was plain and ordinary. It is very difficult to place fingers on a reason that enabled SRK reach where he is today. Probably his plainness was his virtue. He was never an enigma. He was guileless, without a benefactor to lead him around by his fingers. His only weapon was his willingness to work hard and professionalism.An upfront attitude earned SRK some very valuable friends in an industry otherwise dominated by detractors and chamchas. Juhi, his co-star, close pal and now his business partner for 'Dreamz Unlimited' forms an integral part of the core group, that has Aziz Mirza, whom SRK is very close to, Yash Johar, Yash Chopra and their sons Karan and Aditya.In a profession where commitment towards wives and girlfriends take the backburner, SRK's devotion towards wife Gauri has been lauded. He is probably one of the rare actors who in their entire careers did not have any romantic liaisons. One who remained a buddy to men and women alike.From a fauji to being SRK, the rise was epic. But a downward slide is inevitable. Even SRK knows that. Hence we see a production company already working full swing. But the loss of stardom hurts. The cola war bears ample evidence of that. Contrary to popular belief, SRK is not jealous. He has achieved far too much to envy the rise of new kids. He is apprehensive of a besiege.The maiden venture of SRK's production company bombed. He was barely recovering from the disaster with hopes pinned on his next release 'Josh', when the film too failed to draw the kind of attention it was expected to. There's however, still time to the downward slide. SRK has too many good projects to keep him going strong. There's 'Kabhi Khushi Kabhi Gum', 'Mohabbatein', 'Devdaas', and his own production 'Ashoka, The Great'.For every loss there is a new hope. SRK is too full of zest to be defeated and live quietly. He will explore other avenues in films even if he ceases to be a superstar. He will continue to be there.

अमिताभ bachchan

Amitabh Bachchan BiographyAmitabh Bachchan -- the ‘Shahenshah’ of Bollywood was born to well-known poet Harivansh Rai Bachchan and Teji Bachchan in Allahabad on October 11, 1942.Amitabh went to Sherwood College, a boarding school in Nainital, and then to Kirori Mal College in Delhi University where he earned a double MA.The elder son of Harivansh Rai Bachchan was a former stage actor, radio announcer and freight company executive in Shaw Wallace in Calcutta, before coming to the land of dreams, Bombay (now Mumbai). He had to struggle a lot in Bollywood because of his unconventional looks and his height. At 6’3”, he was considered far too tall by the filmmakers. Surprisingly, despite having a rich baritone voice, Bachchan failed in an audition at the All India Radio! Ultimately, it was K A Abbas who gave Amitabh his first break in ‘Saat Hindustani’ (1969). But the film failed miserably, with Bachchan going almost unnoticed. Amitabh played the lead role, for the first time in his career, in ‘Pyar Ki Kahani’ (1971), directed by Ravikant Nagaich.It was on the sets of B R Ishara’s ‘Ek Nazar’ (1972) that Amitabh and Jaya Bhaduri realized that they were in love with each other. They married soon after.Though Amitabh got an award for the best supporting actor for ‘Anand’ (1972), he was eclipsed by a stellar performance from Rajesh Khanna.It was his 13th film 'Zanjeer’, directed by Prakash Mehra, which catapulted Amitabh to fame. In the film, he played a strict police officer. The role, which fetched him the title ‘The Angry Young Man’, came to him by default. A host of actors like Dharmendra, Dev Anand and Raj Kumar refused to do the role on account of some apprehension.Then began a remarkable journey to fame and success. In no time the Indian film industry was declared a ‘One Man Industry’, and Bachchan its undisputed king.Amitabh had his ‘sweet revenge’ against Rajesh Khanna by outshining him in ‘Namak Haraam’ (1974). The film secured him another award for Best Supporting Actor.The year 1975 saw the release of Amitabh’s two biggest hits till date. Ramesh Sippy’s ‘Sholay’ and Yash Chopra’s ‘Deewaar’. Amitabh got his first Best Actor Award for Manmohan Desai’s ‘Amar Akbar Anthony’ (1977), next year for ‘Don’ and then for ‘Hum’ (1991).He also bagged the National Award for Best Actor for ‘Agneepath’, which was made by the late Mukul Anand.Amitabh worked with a host of directors in the 70s and the 80s ranging from Prakash Mehra to Yash Chopra and from Hrishikesh Mukherjee to Manmohan Desai.After ‘Zanjeer’ Amitabh again joined hands with Prakash Mehra to give hits like ‘Hera Pheri’ (1975), ‘Muqaddar Ka Siqander’ (1979), ‘Lawaaris’ (1981), ‘Namak Halaal’ (1982) and ‘Sharaabi’ (1984).Yash Chopra exploited the romantic side of Bachchan to the hilt in ‘Kabhi Kabhie’ (1976) and ‘Silsila’ (1981). Bachchan also did the ‘angry’ roles with Yash Chopra in ‘Trishul’ (1978) and ‘Kaala Patthar’ (1979).Bachchan essayed a fantastic range of ‘off-beat’ roles under the direction of veteran Hrishikesh Mukherjee. Apart from ‘Anand’ and ‘Namak Haraam’, he gave standout performances in ‘Abhimaan’ (1973) ‘Mili’ (1975), ‘Chupke Chupke’ (1975), ‘Jurmana’ (1979) and ‘Bemisaal’ (1982).With the late Manmohan Desai, the director with the Midas touch, Amitabh did nine films, which included blockbusters like ‘Amar Akbar Anthony’, ‘Suhaag’ (1979) and ‘Coolie’ (1983). The adulation for Amitabh became clear when he was gravely injured during the filming of ‘Coolie’ in 1983. While he was battling for life in the hospital, the whole nation offered prayers at temples and mosques for his recovery. His other hits with ‘Man’ were ‘Parvarish’ (1977), ‘Naseeb’ (1981), ‘Desh Premee’ (1982) and ‘Mard’ (1985).Amitabh’s sizzling on-screen chemistry with Rekha worked wonders at the box office. No wonder, the delectable duo was considered one of the most successful Bollywood pairs. They worked together for the first time in Dulal Guha’s ‘Do Anjaane’ (1976).Amitabh matched the acting skills of another great actor in Ramesh Sippy’s ‘Shakti’ (1982). The son of a strict police officer (Dilip Kumar), he takes to the life of high crime and smuggling. It was a big challenge for Amitabh the actor, and he came out with flying colors.In the wake of the assassination of Indira Gandhi in 1984, on the advice of his close friend Rajiv Gandhi, he contested the general elections for the first time from his hometown Allahabad. His electoral debut proved the Waterloo of stalwart H N Bahuguna.His stint in politics, however, proved short-loved. As ill luck would have it, Amitabh got embroiled in some scandals. Having realized that politics was not his cup of tea, Amitabh resigned his seat in Parliament, vowing never to dabble in politics again. In 1988 came Tinu Anand’s ‘Shahenshah’. It blazed a new trail, with Amitabh becoming the first major film star to take his film’s distribution rights for Mumbai in lieu of his salary. The post-‘Shahenshah’ period marked a lull in the career of Amitabh. A host of mediocre films like ‘Ganga Jamuna Saraswati’, ‘Toofan’, ‘Jaadugar’ littered this phase of Bachchan’s career.But then, the Big B bounced back – in brilliant fashion-- when the industry started to write him off. The comeback film was ‘Hum’ (1991) which was a smashing hit, thanks to Big B’s stellar performance. A few years later, Amitabh started his own production company, the Amitabh Bachchan Corporation Limited (ABCL). ABCL ventured into film distribution with Mani Ratnam’s ‘Bombay’. It also was the principal sponsor of the Miss Universe Contest, held in Bangalore in 1996.Unfortunately, ABCL fell on evil days, buried neck deep in debt. The company’s cup of woe ran over when his films flopped miserably at the box-office. And he was again ‘written off’ by the industry.This time, too, Bachchan bounced back in style. Only, it was his performance on the small screen that revived the Bachchan magic. The host of ‘Kaun Banega Crorepati’ once again rode the roller coaster of fame. A mellowed Bachchan found himself firmly ‘locked’ in the hearts of millions of his adoring fans. The show represented a paradigm shift in the history of Indian television. It is still luxuriating in the lap of success. Then came the international accolades. Amitabh was chosen Superstar of the Millennium, easing out giants like Sir Lawrence Olivier and Charlie Chaplin on a BBC online poll. National recognition followed soon. On January 26, 2001 he was awarded the Padma Bhushan for his outstanding contributions to Indian Cinema.Amitabh is a relieved man now, having paid off all his debts. What is more, he is once again a force to reckon with in the Indian film industry and has some very interesting films coming up.Undoubtedly, Amitabh is still the Shahenshah of the Indian film industry. The Big B is an icon who has survived three decades of competition, even trends. And emerged a winner.

सचिन tendulkar

Sachin Ramesh Tendulkar (born 24 April 1973) is an Indian cricketer, universally acknowledged as one of the best batsmen of the modern era. He currently holds the record for the most number of runs in One-Day Internationals, and the most number of centuries scored both in One-Day Internationals and in Test cricket. He made his international debut against Pakistan in 1989 at sixteen, becoming India's youngest Test player. Primarily a top-order batsman, Tendulkar has occasionally proven a useful slow bowler. He received the Rajiv Gandhi Khel Ratna, India's highest sporting honour, for 1997-1998, and the civilian award Padma Shri in 1999. Tendulkar appeared on the front cover of the Indian edition of TIME magazine in 2002 when he was chosen as one of its "Asian Heroes". His prowess has earned him the nicknames "Little Master" (also accorded to Sunil Gavaskar) and "Master Blaster" (once used for Viv Richards). He also recieved the Wisden Cricketer of the Year in 1997.

Fact
Name
Sachin Ramesh Tendulkar
Born
24 April 1973, Mumbai
Major Teams
Mumbai, Yorkshire, India, ACC Asian XI
Batting Style
Right Hand Bat
Bowling Style
Right Arm Off Break, Leg Break, Right Arm Medium
Test Debut
15-20 Nov, 1989 (Ind vs Pak at Karachi)
ODI Debut
18 Dec 1989 (Ind vs Pak at Gujranwala)
20:20 Int. Debut
1 Dec 2006 (Ind v RSA at Johannesburg)

Tests
ODIs
Twenty20 Int.
Matches
139
388
1
Runs scored
11066
15051
10
Batting average
55.33
44.13
10.00
100s/50s
37/44
41/79*
0/0
Top score
248*
186*
10
Wickets
41
152
1
Bowling average
48.82
43.19
12.00
Best bowling
3/14
5/32
1-12

Last Updated 29/07/2007

लोवे ऎंड all

If you love some one becauseYou think that he or she is really gorgeous...Then it's not love॥It's - INFATUATION। . .If you love some one becauseYou think that you shouldn't leave him becauseOthers think that you shouldn't ...Then it's not love..It's - COMPROMISE. . .If you love some one becauseYou think that you cannot live with out his touch ....Then it's not love ..It's - LUST. . .If you love some one becauseYou have been kissed by him ...Then it's not love..It's - INFERIORITY COMPLEX. . .If you love some one becauseYou cannot leave him thinking that it would hurt his feelings ..Then it's not love ..It's - CHARITY. . .If you love some one becauseYou share every thing with him ...Then it's not love..It's - FRIENDSHIP. . .But if you feel the pain of the other personMore than him even when he is stableand you cry for him ..That's - LOVE . . .
piyushdadriwala

थिस इस interesting

This is quite interesting.Do you know?First 4 alphabets ( 'a', 'b', 'c' & 'd') which are quite commonly used; do not appear anywhere in the spellings of 1 to 99 !(Letter 'd' comes for the first time in Hundred)Letters 'a', 'b' & 'c' do not appear anywhere in the spellings of 1 to 999 !(Letter 'a' comes for the first time in thousand)Letters 'b' & 'c' do not appear anywhere in the spellings of 1 to 999,999,999 !(Letter 'b' comes for the first time in Billion)And Letter 'c' does not appear anywhere in the spellings of entire English Counting

सरदार भगत singh

Letter, Writtings and Statements of Shaheed Bhagat Singh and his Copatriots
Letter to Shaheed SukhdevThis letter deals with the views of Bhagat Singh on the question of love and sacrifice in the life of a revolutionary. It was written on April 5, 1929 in Sita Ram Bazar House, Delhi. The letter was taken to Lahore by Shri Shiv Verma and handed over to Sukhdev it was recovered from him at the time of his arrest on April 13 and was produced as one of the exhbits in Lahore Conspiracy Case.
--------------------------------------------------------------------------------
DEAR BROTHER By the time you receive this letter I will be gone, going to a far off destination. Let me assure that I am prepared for the voyage inspite of all the sweet memory and inspite of all the charms of my life here. Upto this day one thing pinched in my heart and it was this that my brother, my own brother, misunderstood and accused me of a very serious charge - the charge of weakness. Today I am quite satisfied, today more than ever do I feel that was nothing, but a misunderstanding, a wrong calculation. My overfrankness was interpreted as my talkativeness, and my confession as my weakness. And now I feel it was misunderstanding and only is understanding. I am not weak, not weaker than anyone amongest us, brother. With a clear heart I go, will you clear too? It will be very kind of you. But note that you are to take no hasty step, soberly and calmly you are to carry on the work. Don't try to take the chance at the very outset. You have some duty towards the public, and that you can fulfil by continuing this work. As a suggestion I would say that M.R. Shastri* appeals to me more than ever. Try to bring him in the arena, provided he himself may be willing, clearly knowing the dark future. Let him mix with men and study their psychology. If he will work in the right spirit, he will be the better judge. Arrange as you may deem fit. Now, brother, let us be happy. By the way, I am say that I cannot help arguing once again my case in the matter under discussion. Again do I emphasise that I am full of ambition and hope and of full charm of life. But I can renounce all at the time of need, and that is the real sacrifice. These things can never be hinderance in the way of man, provided he be a man. You will have the practical proof in the near future. While discussing anybody's character you asked me one thing, whether love ever proved helpful to any man. Yes, I answer that question today. To Mazzini it was. You must have read that after the utter failure and crushing defeat of his first rising he could no bear the misery and haunting ideas of his dead comrades. He would have gone mad or committed suicide but for one letter of a girl he loved. He would as strong as any one, nay stronger than all. As regards the moral status of love I may say that it in itself is nothing BUT PASSION, not an animal passion but a human one, and very sweet too. Love in itself can never be an animal passion. Love always elevates the character of man. It never lowers him, provided love be love. You can't call these girls - mad people, as we generally see in films - lovers. They always play in the hands of animals passions. The true love cannot be created. It comes of its own accord, nobody can say when. It is but natural. And I may tell you that a young man and a young girl can love each other, and with the aid of their love they can overcome the passions themselves and can maintain their purity. I may clear one thing here; when I said that love has human weakness, I did not say it for an ordinary human being at this stage, where the people generally are. But that is most idealistic stage when man would overcome all these sentiments, the love, the hatred, and so on. When man will take reason as the sole basis of his activity. But at present it is not bad, rather good and useful to man. And moreove while rebuking the love. I rebuked the love of one individual for one, and that too in idealistic stage. And even then, man must have the strongest feelings of love which he may not confine to one individual and may make it universal. Now I think I have cleared my position. One thing I may tell you to mark; we inspite of all radical ideas that we cherish, have not been able to do away with the overidealistic Arya Samajist conception of morality. We may talk glibly about all the radical things that can possible be conceived, but in practical life we begin to tremble at the very outset. This I will request you do away with. And may I, Without fear at all the misapprehension in my mind, request you do kindly lower the standard of your over-idealism a bit, not to be harsh to those who will live behind and will be the victims of a disease as myself ? Don't rebuke them and thus add to their woes and miseries. They need your sympathy. May I repeat that you, without bearing any sort of grudge against any particular individual, will sympathise with those who needed the most ? But you cannot realise these things unless and until you yourself fall a victim to this. But, why I am writing all this? I wanted to be frank. I have cleared my heart. Wish you all success and happy life.
Yours. B. एस
piyushdadriwala

Friday, July 27, 2007

अबाउट me

पियुश्दाद्रिवाला,एस creation

piyushdadriwala,s creation
Piyush Dadriwala
Piyush, born on 10th Feb, 1967, Aquarian belongs to a middle class family in Dadri, Near Noida, elder son of Dr. Devender Kumar Goel and mother Ravikanta. I am diploma Mech Engg. passed in the year 1987, creative, believe in God too much, believe in Love & Friendship, cartoonist and fond of making tarricatures, hobby of collections.
I have a unique art (mirror Image writing in two languages Hindi & English) and have written world first Mirror Image Book "Shreemad Bhagwad Gita" all 18 chapters, 700 verses in Hindi & English, besides this I have written "Shree Durga Sapt Satti" in Sanskrit Language, Sunderkand, Arti Sangrah and "Shree Sai Sach Charitra" (all 51 chapters, 308 pages, more than 1 lakh words), which kept in Sai Mandir, Sonepat for forever for devotees.
I am very much fond of Mathematics, I have done a lot of work in Mathematics, like Points Design of Pyramid & got unique Equations, work on Pascal Triangle, A new triangle "A.P. Right Angled Triangle" in which introduced a new theorum, A very strange Table & Formula for two digits Square & Number Nine.
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creative piyushdadriwala
WHAT ALL GODS HAVE COMMON Edit
Mar 25, 2007, 5:29 pm
1 2 3 4 5 6 7 8 9
A B C D E F G H I
J K L M N O P Q R
S T U V W X Y Z

1. HINDU ( SHREE KRISHNA)
1+8+9+5+5+2+9+9+1+8+5+1=63=6+3=9
2. MUSLIM (MOHAMMED)
4+6+8+1+4+4+5+4=36=3+6=9
3. SHIK (GURU NANAK)
7+3+9+3+5+1+5+1+2=36=3+6=9
4. PARSI (ZARA THUSTRA )
8+1+9+1+2+8+3+1+2+9+1=45=4+5=9
5.BUDH (GAUTAM)
7+1+3+2+1+4=18=1+8=9
6.JAIN (MAHAVIR)
4+1+8+1+4+9+9=36=3+6=9
7. ESAI (ESA MESSIAH)
5+1+1+4+5+1+1+9+1+8=36=3+6=9
8. SAI NATH
1+1+9+5+1+2+8=27=2+7=9
AT LAST BY CAHANCE WHEN I TRY TO CALCULATE MY NAME "PIYUSHDADARIWALA" AS PER THIS METHOD ,GOT NINE......BUT I AM NOT GOD.......BUTI BELIEVE,WITHOUT GOD ,I AM DOG
9. PIYUSHDADRIWALA
7+9+7+3+1+8+4+1+4+9+9+5+1+3+1=72=7+2=9

I THINK YOU ALL ENJOY,I HAVE MORE,NEXT TIME
LOVE TO ALL
PIYUSHDADRIWALA
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imagination
amazing number nine(piyush constant) Edit
Mar 25, 2007, 5:31 pm
AMAZING NUMBER NINE,(PIYUSH CONSTANT).
IT IS VERY INTERESTING ,IT IS MY OWN SEARCH,I LOVE MATHS,IN THE FUTURE VERY SOON MY OWN BOOK ON MATHS WILL PUBLISH MATHS--- A STUDY(IN HINDI),OR MAY BE IN THE FORM OF WEBSITE.
TAKE ANY NUMBER OF DIGITS,HERE I AM TAKING 25 AND 32,NOW
YOU CAN WRITE THEM IN FOUR WAYS LIKE THAT
25*32=800
25*23=575
52*23=1196
52*32=1664
NOW VERY AMAZING,SUBSTRACT BIGGER ONE TO ANY LOWER,ONE BY ONE
1664-1196=468=4+6+8=18=1+8=9
1664-575=1089=1+0+8+9=18=1+8=9
1164-800=864=8+6+4=18=1+8=9
1196-575=621=6+2+1=9
1196-800=396=3+6+9=18=1+8=9
800-575=225=2+2+5=9
ALWAYS NINE,FOR ANY DIGITS,NO BODY CAN COPY ALL RIGITS RESERVED TO PIYUSHDADRIWALA,IT IS JUST MY LOVEY BLOGGERS WHO HAVE INTEREST IN MATHS.LOVE TO ALL
PIYUSHDADRIWALA
www.piyush-g.741.com
www.piyushdadriwalamaths.co.in
you can see all my creations

PIYUSH THOUGHTS
1.TO IMAGINE IS TO HAVE EVERYTHING.
2.A WISE THINKS BEFORE DOING,BUT A MAD............................AFTER.
3.LOVE MAKES THE WAY TO GOD.
4.PRESENT IS PAST IN FUTURE.
5.GOD,BEFORE DYING YOU OURES,AFTER DYING WE YOURS.
6.TIME SAYS,TI-ght-ME, OTHERWISE GOING.
7.PAIN IS SURE IN GAIN.
8.WHO LOVES ALWAYS HATES.
9.WITHOUT GOD A MAN JUST REVERSE OF GOD........................(DOG).
10.A MAN OF GOD BUT A MIND OF A MAN.
11.IN THIS WORLD THERE ARE LOT OF YESTERDAYS,NOT MANY TOMORROWS.
12.LUCK,A DUCK CAN SWIM,FLY AND WALK.
13.LUCK IS AS LOCK
YOU HAVE ITS KEY
CLICK LEFT,IT CLOSES.
CLICK RIGHT,IT OPENS. (READ IT CAREFULLY,AND THINK)
14.MUCH TIME REQUIRED TO BE GOOD,TO BE BAD A LITTLE.
15.WE KNOW GOD,BUT GOD KNOWS US OR NOT WE DO NOT KNOW.
16.LOVE LAUGH AND LIVE LONG LIFE.
17.GOD IS ONE YOU ARE MANY.
18.LOVE IS "O" (+VE),DONATE IT.
19.LIFE IS MIRROR,YOUR WORKS ARE IMAGES.
20.LIFE IS HOUSEOF LOVE,CONFIDENCE,FAITH,SATISFACTION,DEVOTION,AMBITION,CHARACTER,HONESTY,SUCCESS AND POSITIVE ATTITUDE.
WITH LOT OF LOVE
PIYUSHDADRIWALA
www.piyush-g.741.com
pkgdwala@rediffmail.com
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email@emailaddress.com
love
world first mirror image book "shreemadbhagvadgita" by piyushdadriwala

MIRROR IMAGED BHAGVADGITA
I AM PIYUSH DADRIWLA,MECH ENGG,VERY CREATIVE ,HOBBY OF COLLECTION,BELIEVE IN GOD,I WROTE GITA IN MIRROR IMAGED BY MY OWN HAND IN TWO LANGUAGES HINDI AND ENGLISH,ALL18 CHAPTERS ,700 VERSES,MEANS WILL READ IT IN FRONT OF MIRROR AND HOPE IT IS WORLD FIRST EVER HAND WRITTEN MIRROR IMAGED( ANY BOOK) "SHREEMADBHAGVADGITA".HOBBY OF COLLECTION LIKE 10,000 MATCH BOXES,300 CIGARETTE PACKETS,1045 PENS,COINS AND CURRENCIES,AUTOGRAPHS LIKE AMITABH,SACHIP,RITIQUE,LATA,ATAL,RAJIV GANDHI,INDRA GANDHI,ANIL KUMBLE,1983 WEST INDIES CRICKET TEAM,AUSTRALIAN CRICKET TEAM INDIAN WOMEN CRICKET TEAM AND OF MANY PESONALITIES,NEWSPAPER AND MAGAZINES COLLECTION,HOBBY OF MAKING CARTOONS AND CARICATURES.
WITH LOT OF LOVE
PIYUSHDADRIWALA
pkgdwala@rediffmail.com
www.piyush-g.741.com
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gpalgoo@yahoo.co.in

पीयूष constant

AMAZING NUMBER NINE,(PIYUSH CONSTANT).
IT IS VERY INTERESTING ,IT IS MY OWN SEARCH,I LOVE MATHS,IN THE FUTURE VERY SOON MY OWN BOOK ON MATHS WILL PUBLISH MATHS--- A STUDY(IN HINDI),OR MAY BE IN THE FORM OF WEBSITE.
TAKE ANY NUMBER OF DIGITS,HERE I AM TAKING 25 AND 32,NOW
YOU CAN WRITE THEM IN FOUR WAYS LIKE THAT
25*32=800
25*23=575
52*23=1196
52*32=1664
NOW VERY AMAZING,SUBSTRACT BIGGER ONE TO ANY LOWER,ONE BY ONE
1664-1196=468=4+6+8=18=1+8=9
1664-575=1089=1+0+8+9=18=1+8=9
1164-800=864=8+6+4=18=1+8=9
1196-575=621=6+2+1=9
1196-800=396=3+6+9=18=1+8=9
800-575=225=2+2+5=9
ALWAYS NINE,FOR ANY DIGITS,NO BODY CAN COPY ALL RIGITS RESERVED TO PIYUSHDADRIWALA,IT IS JUST MY LOVEY BLOGGERS WHO HAVE INTEREST IN MATHS.LOVE TO ALL
PIYUSHDADRIWALA
www.piyush-g.741.com
www.piyushdadriwalamaths.co.in
व्व्व.पियुश्दाद्रिवाला.४त्.com

bhaskara

Bhaskara
Born: 1114 in Vijayapura, IndiaDied: 1185 in Ujjain, India
Bhaskara is also known as Bhaskara II or as Bhaskaracharya, this latter name meaning "Bhaskara the Teacher". Since he is known in India as Bhaskaracharya we will refer to him throughout this article by that name. Bhaskaracharya's father was a Brahman named Mahesvara. Mahesvara himself was famed as an astrologer. This happened frequently in Indian society with generations of a family being excellent mathematicians and often acting as teachers to other family members.
Bhaskaracharya became head of the astronomical observatory at Ujjain, the leading mathematical centre in India at that time. Outstanding mathematicians such as Varahamihira and Brahmagupta had worked there and built up a strong school of mathematical astronomy.
In many ways Bhaskaracharya represents the peak of mathematical knowledge in the 12th century. He reached an understanding of the number systems and solving equations which was not to be achieved in Europe for several centuries.
Six works by Bhaskaracharya are known but a seventh work, which is claimed to be by him, is thought by many historians to be a late forgery. The six works are: Lilavati (The Beautiful) which is on mathematics; Bijaganita (Seed Counting or Root Extraction) which is on algebra; the Siddhantasiromani which is in two parts, the first on mathematical astronomy with the second part on the sphere; the Vasanabhasya of Mitaksara which is Bhaskaracharya's own commentary on the Siddhantasiromani ; the Karanakutuhala (Calculation of Astronomical Wonders) or Brahmatulya which is a simplified version of the Siddhantasiromani ; and the Vivarana which is a commentary on the Shishyadhividdhidatantra of Lalla. It is the first three of these works which are the most interesting, certainly from the point of view of mathematics, and we will concentrate on the contents of these.
Given that he was building on the knowledge and understanding of Brahmagupta it is not surprising that Bhaskaracharya understood about zero and negative numbers. However his understanding went further even than that of Brahmagupta. To give some examples before we examine his work in a little more detail we note that he knew that x2 = 9 had two solutions. He also gave the formula

Bhaskaracharya studied Pell's equation px2 + 1 = y2 for p = 8, 11, 32, 61 and 67. When p = 61 he found the solutions x = 226153980, y = 1776319049. When p = 67 he found the solutions x = 5967, y = 48842. He studied many Diophantine problems.
Let us first examine the Lilavati. First it is worth repeating the story told by Fyzi who translated this work into Persian in 1587. We give the story as given by Joseph in [5]:-
Lilavati was the name of Bhaskaracharya's daughter. From casting her horoscope, he discovered that the auspicious time for her wedding would be a particular hour on a certain day. He placed a cup with a small hole at the bottom of the vessel filled with water, arranged so that the cup would sink at the beginning of the propitious hour. When everything was ready and the cup was placed in the vessel, Lilavati suddenly out of curiosity bent over the vessel and a pearl from her dress fell into the cup and blocked the hole in it. The lucky hour passed without the cup sinking. Bhaskaracharya believed that the way to console his dejected daughter, who now would never get married, was to write her a manual of mathematics!
This is a charming story but it is hard to see that there is any evidence for it being true. It is not even certain that Lilavati was Bhaskaracharya's daughter. There is also a theory that Lilavati was Bhaskaracharya's wife. The topics covered in the thirteen chapters of the book are: definitions; arithmetical terms; interest; arithmetical and geometrical progressions; plane geometry; solid geometry; the shadow of the gnomon; the kuttaka; combinations.
In dealing with numbers Bhaskaracharya, like Brahmagupta before him, handled efficiently arithmetic involving negative numbers. He is sound in addition, subtraction and multiplication involving zero but realised that there were problems with Brahmagupta's ideas of dividing by zero. Madhukar Mallayya in [14] argues that the zero used by Bhaskaracharya in his rule (a.0)/0 = a, given in Lilavati, is equivalent to the modern concept of a non-zero "infinitesimal". Although this claim is not without foundation, perhaps it is seeing ideas beyond what Bhaskaracharya intended.
Bhaskaracharya gave two methods of multiplication in his Lilavati. We follow Ifrah who explains these two methods due to Bhaskaracharya in [4]. To multiply 325 by 243 Bhaskaracharya writes the numbers thus:
243 243 243
3 2 5
-------------------
Now working with the rightmost of the three sums he computed 5 times 3 then 5 times 2 missing out the 5 times 4 which he did last and wrote beneath the others one place to the left. Note that this avoids making the "carry" in ones head.
243 243 243
3 2 5
-------------------
1015
20
-------------------
Now add the 1015 and 20 so positioned and write the answer under the second line below the sum next to the left.
243 243 243
3 2 5
-------------------
1015
20
-------------------
1215
Work out the middle sum as the right-hand one, again avoiding the "carry", and add them writing the answer below the 1215 but displaced one place to the left.
243 243 243
3 2 5
-------------------
4 6 1015
8 20
-------------------
1215
486
Finally work out the left most sum in the same way and again place the resulting addition one place to the left under the 486.
243 243 243
3 2 5
-------------------
6 9 4 6 1015
12 8 20
-------------------
1215
486
729
-------------------
Finally add the three numbers below the second line to obtain the answer 78975.
243 243 243
3 2 5
-------------------
6 9 4 6 1015
12 8 20
-------------------
1215
486
729
-------------------
78975
Despite avoiding the "carry" in the first stages, of course one is still faced with the "carry" in this final addition.
The second of Bhaskaracharya's methods proceeds as follows:
325
243
--------
Multiply the bottom number by the top number starting with the left-most digit and proceeding towards the right. Displace each row one place to start one place further right than the previous line. First step
325
243
--------
729
Second step
325
243
--------
729
486
Third step, then add
325
243
--------
729
486
1215
--------
78975
Bhaskaracharya, like many of the Indian mathematicians, considered squaring of numbers as special cases of multiplication which deserved special methods. He gave four such methods of squaring in Lilavati.
Here is an example of explanation of inverse proportion taken from Chapter 3 of the Lilavati. Bhaskaracharya writes:-
In the inverse method, the operation is reversed. That is the fruit to be multiplied by the augment and divided by the demand. When fruit increases or decreases, as the demand is augmented or diminished, the direct rule is used. Else the inverse.
Rule of three inverse: If the fruit diminish as the requisition increases, or augment as that decreases, they, who are skilled in accounts, consider the rule of three to be inverted. When there is a diminution of fruit, if there be increase of requisition, and increase of fruit if there be diminution of requisition, then the inverse rule of three is employed.
As well as the rule of three, Bhaskaracharya discusses examples to illustrate rules of compound proportions, such as the rule of five (Pancarasika), the rule of seven (Saptarasika), the rule of nine (Navarasika), etc. Bhaskaracharya's examples of using these rules are discussed in [15].
An example from Chapter 5 on arithmetical and geometrical progressions is the following:-
Example: On an expedition to seize his enemy's elephants, a king marched two yojanas the first day. Say, intelligent calculator, with what increasing rate of daily march did he proceed, since he reached his foe's city, a distance of eighty yojanas, in a week?
Bhaskaracharya shows that each day he must travel 22/7 yojanas further than the previous day to reach his foe's city in 7 days.
An example from Chapter 12 on the kuttaka method of solving indeterminate equations is the following:-
Example: Say quickly, mathematician, what is that multiplier, by which two hundred and twenty-one being multiplied, and sixty-five added to the product, the sum divided by a hundred and ninety-five becomes exhausted.
Bhaskaracharya is finding integer solution to 195x = 221y + 65. He obtains the solutions (x,y) = (6,5) or (23,20) or (40, 35) and so on.
In the final chapter on combinations Bhaskaracharya considers the following problem. Let an n-digit number be represented in the usual decimal form as
(*) d1d2... dn
where each digit satisfies 1 dj 9, j = 1, 2, ... , n. Then Bhaskaracharya's problem is to find the total number of numbers of the form (*) that satisfy
d1 + d2 + ... + dn = S.
In his conclusion to Lilavati Bhaskaracharya writes:-
Joy and happiness is indeed ever increasing in this world for those who have Lilavati clasped to their throats, decorated as the members are with neat reduction of fractions, multiplication and involution, pure and perfect as are the solutions, and tasteful as is the speech which is exemplified.
The Bijaganita is a work in twelve chapters. The topics are: positive and negative numbers; zero; the unknown; surds; the kuttaka; indeterminate quadratic equations; simple equations; quadratic equations; equations with more than one unknown; quadratic equations with more than one unknown; operations with products of several unknowns; and the author and his work.
Having explained how to do arithmetic with negative numbers, Bhaskaracharya gives problems to test the abilities of the reader on calculating with negative and affirmative quantities:-
Example: Tell quickly the result of the numbers three and four, negative or affirmative, taken together; that is, affirmative and negative, or both negative or both affirmative, as separate instances; if thou know the addition of affirmative and negative quantities.
Negative numbers are denoted by placing a dot above them:-
The characters, denoting the quantities known and unknown, should be first written to indicate them generally; and those, which become negative should be then marked with a dot over them.
Example: Subtracting two from three, affirmative from affirmative, and negative from negative, or the contrary, tell me quickly the result ...
In Bijaganita Bhaskaracharya attempted to improve on Brahmagupta's attempt to divide by zero (and his own description in Lilavati ) when he wrote:-
A quantity divided by zero becomes a fraction the denominator of which is zero. This fraction is termed an infinite quantity. In this quantity consisting of that which has zero for its divisor, there is no alteration, though many may be inserted or extracted; as no change takes place in the infinite and immutable God when worlds are created or destroyed, though numerous orders of beings are absorbed or put forth.
So Bhaskaracharya tried to solve the problem by writing n/0 = ∞. At first sight we might be tempted to believe that Bhaskaracharya has it correct, but of course he does not. If this were true then 0 times ∞ must be equal to every number n, so all numbers are equal. The Indian mathematicians could not bring themselves to the point of admitting that one could not divide by zero.
Equations leading to more than one solution are given by Bhaskaracharya:-
Example: Inside a forest, a number of apes equal to the square of one-eighth of the total apes in the pack are playing noisy games. The remaining twelve apes, who are of a more serious disposition, are on a nearby hill and irritated by the shrieks coming from the forest. What is the total number of apes in the pack?
The problem leads to a quadratic equation and Bhaskaracharya says that the two solutions, namely 16 and 48, are equally admissible.
The kuttaka method to solve indeterminate equations is applied to equations with three unknowns. The problem is to find integer solutions to an equation of the form ax + by + cz = d. An example he gives is:-
Example: The horses belonging to four men are 5, 3, 6 and 8. The camels belonging to the same men are 2, 7, 4 and 1. The mules belonging to them are 8, 2, 1 and 3 and the oxen are 7, 1, 2 and 1. all four men have equal fortunes. Tell me quickly the price of each horse, camel, mule and ox.
Of course such problems do not have a unique solution as Bhaskaracharya is fully aware. He finds one solution, which is the minimum, namely horses 85, camels 76, mules 31 and oxen 4.
Bhaskaracharya's conclusion to the Bijaganita is fascinating for the insight it gives us into the mind of this great mathematician:-
A morsel of tuition conveys knowledge to a comprehensive mind; and having reached it, expands of its own impulse, as oil poured upon water, as a secret entrusted to the vile, as alms bestowed upon the worthy, however little, so does knowledge infused into a wise mind spread by intrinsic force.
It is apparent to men of clear understanding, that the rule of three terms constitutes arithmetic and sagacity constitutes algebra. Accordingly I have said ... The rule of three terms is arithmetic; spotless understanding is algebra. What is there unknown to the intelligent? Therefore for the dull alone it is set forth.
The Siddhantasiromani is a mathematical astronomy text similar in layout to many other Indian astronomy texts of this and earlier periods. The twelve chapters of the first part cover topics such as: mean longitudes of the planets; true longitudes of the planets; the three problems of diurnal rotation; syzygies; lunar eclipses; solar eclipses; latitudes of the planets; risings and settings; the moon's crescent; conjunctions of the planets with each other; conjunctions of the planets with the fixed stars; and the patas of the sun and moon.
The second part contains thirteen chapters on the sphere. It covers topics such as: praise of study of the sphere; nature of the sphere; cosmography and geography; planetary mean motion; eccentric epicyclic model of the planets; the armillary sphere; spherical trigonometry; ellipse calculations; first visibilities of the planets; calculating the lunar crescent; astronomical instruments; the seasons; and problems of astronomical calculations.
There are interesting results on trigonometry in this work. In particular Bhaskaracharya seems more interested in trigonometry for its own sake than his predecessors who saw it only as a tool for calculation. Among the many interesting results given by Bhaskaracharya are:
sin(a + b) = sin a cos b + cos a sin b
and
sin(a - b) = sin a cos b - cos a sin b.
Bhaskaracharya rightly achieved an outstanding reputation for his remarkable contribution. In 1207 an educational institution was set up to study Bhaskaracharya's works. A medieval inscription in an Indian temple reads:-
Triumphant is the illustrious Bhaskaracharya whose feats are revered by both the wise and the learned. A poet endowed with fame and religious merit, he is like the crest on a peacock.

ई लोवे नुम्बेर निने,BECOZ

ई लोवे नुम्बेर निने बेकाउसे
१.ए=मक(२)
२.अल गोड्स हवे कोम्मों ----निने
३.पीयूष कोन्स्तंत
४.निने ---प्लानेट्स
५.निने --- गोद्देस
६.कोउन्तिंग व्हिच वी काउंट १ तो ९ तहत आईएस व्रोंग,आईटी आईएस इन मय ओपिनिओं ० तो ९।
थे फार्मूला ऑफ़ एइस्तें ए=मक(२),क आईएस स्पीड ऑफ़ लाइट तहत आईएस ३*१०(८),इफ यू मुल्त्प्ल्य नुम्बेर निने विथ अन्य नंबर्स ऑफ़ दिगिट्स यू विल अल्वाय्स गेट सुम ऑफ़ दिगिट्स निने,आईटी मांस थे व्होले वर्ल्ड आईएस देपेंद ओं निने,
इन फुतुरे वहत हप्पेनेद,इफ थे ग्लोबल वार्मिंग इन्क्रेअसे अस आईटी आईएस.....मांस ओर एक्षिस्तेन्के पेर्हप्स..........
पियुश्दाद्रिवाला

व्व्व.पियुश्दाद्रिवालामाथ्स.को.in

VIJAYANANDI

Vijayanandi
Born: about 940 in Benares (now Varanasi), IndiaDied: about 1010 in India
Vijayanandi (or Vijayanandin) was the son of Jayananda. He was born into the Brahman caste which meant he was from the highest ranking caste of Hindu priests. He was an Indian mathematician and astronomer whose most famous work was the Karanatilaka. We should note that there was another astronomer named Vijayanandi who was mentioned by Varahamihira in one of his works. Since Varahamihira wrote around 550 and the Karanatilaka was written around 966, there must be two astronomers both named "Vijayanandi".
The Karanatilaka has not survived in its original form but we know of the text through an Arabic translation by al-Biruni. It is a work in fourteen chapters covering the standard topics of Indian astronomy. It deals with the topics of: units of time measurement; mean and true longitudes of the sun and moon; the length of daylight; mean longitudes of the five planets; true longitudes of the five planets; the three problems of diurnal rotation; lunar eclipses, solar eclipses; the projection of eclipses; first visibility of the planets; conjunctions of the planets with each other and with fixed stars; the moon's crescent; and the patas of the moon and sun.
The Indians had a cosmology which was based on long periods of time with astronomical events occurring a certain whole number of times within the cycles. This system led to much work on integer solutions of equations and their application to astronomy. In particular there was, according to Aryabhata I, a basic period of 4320000 years called a mahayuga and it was assumed that the sun, the moon, their apsis and node, and the planets reached perfect conjunctions after this period. Hence it was assumed that the periods were rational multiples of each other.
All the planets and the node and apsis of the moon and sun had to have an integer number of revolutions in the mahayuga. Many Indian astronomers proposed different values for these integral numbers of revolutions. For the number of revolutions of the apsis and node of the moon per mahayuga, Aryabhata I proposed 488219 and 232226, respectively.
However Vijayanandi changed these numbers to 488211 and 232234. The reasons for giving the new numbers is unclear. Like other Indian astronomers, Vijayanandi made contributions to trigonometry and it appears that his calculation of the periods was computed by using tables of sines and versed sines. It is significant that accuracy was need in trigonometric tables to give accurate astronomical theories and this motivated many of the Indian mathematicians to produce more accurate methods of approximating entries in tables.

संकरा NARAYANA

Sankara Narayana
Born: about 840 in IndiaDied: about 900 in India
Sankara Narayana (or Shankaranarayana) was an Indian astronomer and mathematician. He was a disciple of the astronomer and mathematician Govindasvami. His most famous work was the Laghubhaskariyavivarana which was a commentary on the Laghubhaskariya of Bhaskara I which in turn is based on the work of Aryabhata I.
The Laghubhaskariyavivarana was written by Sankara Narayana in 869 AD for the author writes in the text that it is written in the Shaka year 791 which translates to a date AD by adding 78. It is a text which covers the standard mathematical methods of Aryabhata I such as the solution of the indeterminate equation by = ax c (a, b, c integers) in integers which is then applied to astronomical problems. The standard Indian method involves using the Euclidean algorithm. It is called kuttakara ("pulveriser") but the term eventually came to have a more general meaning like "algebra". The paper [2] examines this method. The reader who is wondering what the determination of "mati" means in the title of the paper [2] then it refers to the optional number in a guessed solution and it is a feature which differs from the original method as presented by Bhaskara I.
Perhaps the most unusual feature of the Laghubhaskariyavivarana is the use of katapayadi numeration as well as the place-value Sanskrit numerals which Sankara Narayana frequently uses. Sankara Narayana is the first author known to use katapayadi numeration with this name but he did not invent it for it appears to be identical to a system invented earlier which was called varnasamjna. The numeration system varnasamjna was almost certainly invented by the astronomer Haridatta, and it was explained by him in a text which many historians believe was written in 684 but this would contradict what Sankara Narayana himself writes. This point is discussed below. First we should explain ideas behind Sankara Narayana's katapayadi numeration.
The system is based on writing numbers using the letters of the Indian alphabet. Let us quote from [1]:-
... the numerical attribution of syllables corresponds to the following rule, according to the regular order of succession of the letters of the Indian alphabet: the first nine letters represent the numbers 1 to 9 while the tenth corresponds to zero; the following nine letters also receive the values 1 to 9 whilst the following letter has the value zero; the next five represent the first five units; and the last eight represent the numbers 1 to 8.
Under this system 1 to 5 are represented by four different letters. For example 1 is represented by the letters ka, ta, pa, ya which give the system its name (ka, ta, pa, ya becomes katapaya). Then 6, 7, 8 are represented by three letters and finally nine and zero are represented by two letters.
The system was a spoken one in the sense that consonants and vowels which are not vocalised have no numerical value. The system is a place-value system with zero but one may reasonably ask why such an apparently complicated numeral system might ever come to be invented. Well the answer must be that it lead to easily remembered mnemonics. In fact many different "words" could represent the same number and this was highly useful for works written in verse as the Indian texts tended to be.
Let us return to the interesting point about the date of Haridatta. Very unusually for an Indian text, Sankara Narayana expresses his thanks to those who have gone before him and developed the ideas about which he is writing. This in itself is not so unusual but the surprise here is that Sankara Narayana claims to give the list in chronological order. His list is
Aryabhata IVarahamihiraBhaskara IGovindasvamiHaridatta
[Note that we have written Bhaskara I where Sankara Narayana simply wrote Bhaskara. The more famous Bhaskara II lived nearly 300 years after Sankara Narayana.]
The chronological order in the list agrees with the dates we have for the first four of these mathematicians. However, putting Haridatta after Govindasvami would seem an unlikely mistake for Sankara Narayana to make if Haridatta really did write his text in 684 since Sankara Narayana was himself a disciple of Govindasvami. If the dating given by Sankara Narayana is correct then katapayadi numeration had been invented only a few years before he wrote his text.

MAHAVIRA

Mahavira
Born: about 800 in possibly Mysore, IndiaDied: about 870 in India
Mahavira (or Mahaviracharya meaning Mahavira the Teacher) was of the Jaina religion and was familiar with Jaina mathematics. He worked in Mysore in southern Indian where he was a member of a school of mathematics. If he was not born in Mysore then it is very likely that he was born close to this town in the same region of India. We have essentially no other biographical details although we can gain just a little of his personality from the acknowledgement he gives in the introduction to his only known work, see below. However Jain in [10] mentions six other works which he credits to Mahavira and he emphasises the need for further research into identifying the complete list of his works.
The only known book by Mahavira is Ganita Sara Samgraha, dated 850 AD, which was designed as an updating of Brahmagupta's book. Filliozat writes [6]:-
This book deals with the teaching of Brahmagupta but contains both simplifications and additional information. ... Although like all Indian versified texts, it is extremely condensed, this work, from a pedagogical point of view, has a significant advantage over earlier texts.
It consisted of nine chapters and included all mathematical knowledge of mid-ninth century India. It provides us with the bulk of knowledge which we have of Jaina mathematics and it can be seen as in some sense providing an account of the work of those who developed this mathematics. There were many Indian mathematicians before the time of Mahavira but, perhaps surprisingly, their work on mathematics is always contained in texts which discuss other topics such as astronomy. The Ganita Sara Samgraha by Mahavira is the earliest Indian text which we possess which is devoted entirely to mathematics.
In the introduction to the work Mahavira paid tribute to the mathematicians whose work formed the basis of his book. These mathematicians included Aryabhata I, Bhaskara I, and Brahmagupta. Mahavira writes:-
With the help of the accomplished holy sages, who are worthy to be worshipped by the lords of the world ... I glean from the great ocean of the knowledge of numbers a little of its essence, in the manner in which gems are picked from the sea, gold from the stony rock and the pearl from the oyster shell; and I give out according to the power of my intelligence, the Sara Samgraha, a small work on arithmetic, which is however not small in importance.
The nine chapters of the Ganita Sara Samgraha are:
1. Terminology2. Arithmetical operations3. Operations involving fractions4. Miscellaneous operations5. Operations involving the rule of three6. Mixed operations7. Operations relating to the calculations of areas8. Operations relating to excavations9. Operations relating to shadows
Throughout the work a place-value system with nine numerals is used or sometimes Sanskrit numeral symbols are used. Of interest in Chapter 1 regarding the development of a place-value number system is Mahavira's description of the number 12345654321 which he obtains after a calculation. He describes the number as:-
... beginning with one which then grows until it reaches six, then decreases in reverse order.
Notice that this wording makes sense to us using a place-value system but would not make sense in other systems. It is a clear indication that Mahavira is at home with the place-value number system.
Among topics Mahavira discussed in his treatise was operations with fractions including methods to decompose integers and fractions into unit fractions. For example
2/17 = 1/12 + 1/51 + 1/68.
He examined methods of squaring numbers which, although a special case of multiplying two numbers, can be computed using special methods. He also discussed integer solutions of first degree indeterminate equation by a method called kuttaka. The kuttaka (or the "pulveriser") method is based on the use of the Euclidean algorithm but the method of solution also resembles the continued fraction process of Euler given in 1764. The work kuttaka, which occurs in many of the treatises of Indian mathematicians of the classical period, has taken on the more general meaning of "algebra".
An example of a problem given in the Ganita Sara Samgraha which leads to indeterminate linear equations is the following:
Three merchants find a purse lying in the road. One merchant says "If I keep the purse, I shall have twice as much money as the two of you together". "Give me the purse and I shall have three times as much" said the second merchant. The third merchant said "I shall be much better off than either of you if I keep the purse, I shall have five times as much as the two of you together". How much money is in the purse? How much money does each merchant have?
If the first merchant has x, the second y, the third z and p is the amount in the purse then
p + x = 2(y + z), p + y = 3(x + z), p + z = 5(x + y).
There is no unique solution but the smallest solution in positive integers is p = 15, x = 1, y = 3, z = 5. Any solution in positive integers is a multiple of this solution as Mahavira claims.
Mahavira gave special rules for the use of permutations and combinations which was a topic of special interest in Jaina mathematics. He also described a process for calculating the volume of a sphere and one for calculating the cube root of a number. He looked at some geometrical results including right-angled triangles with rational sides, see for example [4].
Mahavira also attempts to solve certain mathematical problems which had not been studied by other Indian mathematicians. For example, he gave an approximate formula for the area and the perimeter of an ellipse. In [8] Hayashi writes:-
The formulas for a conch-like figure have so far been found only in the works of Mahavira and Narayana.
It is reasonable to ask what a "conch-like figure" is. It is two unequal semicircles (with diameters AB and BC) stuck together along their diameters. Although it might be reasonable to suppose that the perimeter might be obtained by considering the semicircles, Hayashi claims that the formulae obtained:-
... were most probably obtained not from the two semicircles AB and BC.

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